WebSep 19, 2014 · Although the life of German abstract filmmaker Oskar Fischinger (1900–1967) has been reconstructed and his films analyzed, little interest has been given to the relationship between his films and the music. This study asks several questions: What kind of music did Fischinger use? How did he use music? WebCage (aka Karl-Oskar Gummesson) is a producer/songwriter based in Stockholm, Sweden. He signed to The Kennel with a strong focus on the Asian market. Some recent releases …
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WebThe Spirit inside Each Object: John Cage, Oskar ... Oskar Fischinger in 1937 as the primary impetus for his early percussion works. Further examination of this connection reveals an important technological foundation to Cage’s call for the expansion of musical resources. Fischinger’s experiments with film phonography (the ma- WebOskar Fischinger was influenced by Kandinsky's theory of the spiritual nature of his art (Brown 2012). The early influence strongly influenced his career, which later resulted in other producers such as Tim Burton. The concept of liminality has been explored across areas of animation from the early 1930s to the present day. tsx headlights
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WebThe majority of Oskar Fischinger's career was spent on experimenting with abstract animation and relating its paintings and later on music (Gardiner 2007). He envisioned how the sharp visuals in animation could communicate the mood of a song without necessarily printing the lyrics. WebKarl-Oskar Julius Gummesson, also known as Karl-Oskar Gummesson, Cage and Karl-Oskar "Cage" Gummesson, is a Swedish songwriter, composer and music producer … WebThe Spirit inside Each Object: John Cage, Oskar Fischinger, and “The Future of Music” R. Brown; Art. Journal of the Society for American Music. 2012; Abstract Late in his career, John Cage often recalled his brief interaction with German abstract animator Oskar Fischinger in 1937 as the primary impetus for his early percussion works ... tsx healthcare stocks